Whether you write and perform a symphony or concerto, it’s the best way to test and establish your musical vision.I love writing music by hand. Though there is no strictly prescribed form, work in most cases will involve orchestra or large ensemble (soloists, choral forces, or electronics as additional components are possibilities). *For students of keyboard instruments only, two Solo Recitals and two Lecture-Recitals (dealing with historical-performance-practice topics), or two Solo Recitals, one Lecture-Recital (as above), and one entirely Collaborative Recitalįor those who write music, the culmination of the CGU music education is the opportunity to present an original composition. Two Recitals and two Lecture-Recitals, dealing with historical-performance-practice topics *For students in the Keyboard Studies program (majoring in two or three keyboard instruments), speak with department chair concerning Lesson/Recital/Lecture-Recital requirementsĭoctorate in Historical Performance Practices (including Keyboard Studies) Requirementsġ6 units: Major area of concentration (performance or composition):Ģ units: Instruction on each of the two chosen instrumentsĤ units: History of Performance PracticesĤ units: Collegium Musicum and/or Chamber Music Music Literature & Historical Styles Analysisĭoctorate in Performance or Compositions Requirementsġ6 units: Major area of concentration (performance or composition)Ĥ units: Fortepiano, Baroque Violin, Viola da Gamba, or Baroque Flute (any student whose degree concentration is the modern counterpart of one of those instruments).Ģ units: Instrumental/vocal instruction (until the recital requirement has been met)įour recitals or substantial composition*ĭMA Paper on topic dealing with historical performance practicersĤ units: Transdisciplinary Studies course
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